Now for the blockbusters from the past 22 years - 1988 - Chitram , 1989 - Ramjirao Speaking , 1990 - His Highness Abdulla , 1991 - Godfather , 1992 - Pappayude Swantham Appose , 1993 - Manichitrathazhu , 1994 - Commisioner , 1995 - Spadikam , 1996 - Hitler , 1997 - Aaram Thampuran , 1998 - HariKrishnans , 1999 - Friends , 2000 - Narasimham , 2001 - Raavnaprabhu , 2002 - Meesamadhavan , 2003 - Chronic Bachelor , 2004 - Sethuramaiyer CBI , 2005 - Rajamanikyam , 2006 - Classmates , 2007 - Kadha Parayumbol , 2008 - Twenty:20 , 2009 - Pazhassi Raja.

is not politically neutral and can never be. Bodhi Commons does not hate politicians nor tries to appeal to an apolitical audience. If you are apolitical, for us, you are as good as dead. If you have politics of any kind, pull a chair, grab a cup of coffee, and we'll talk.

hat said, I loved "The Happening", there was a subtle plot in the movie which many a movie goer missed. Writers like Shyamalan are part of an important creed, that still believes in a strong plot and a subtle screenplay, something that is vanishing from hollywood.

This is a question thats been nagging the boys and yours truly for years. In a recent meetup in San Francisco, the standing (also sitting and sometimes lying down) committee on "Figuring out what the hell Mohanlal talks about in his movies" watched Mohanlal's Raavanaprabhu.

Social movements or reservations to bring people of a particular identity into a class fold is fine, but within the class fold there should be no identities. Which made sense, as in class is not an umbrella for differing identities but a monolith and a melting pot