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		<title>Kerala History: Glimpses from 1956 to 2011</title>
		<link>http://tvmtalkies.com/archives/1639</link>
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		<pubDate>Sat, 04 Feb 2012 07:49:50 +0000</pubDate>
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		<description><![CDATA[Because it tilts more towards the generation that grew up in the 90s, so that’s what we are. Because there are multiple events and people and struggles we left out from our long list, we would like to hear your thoughts. Because rather than big events, we have focused on big patterns. And while we disagree on a lot many things here - political, cultural, developmental, social, and personal, I hope we all agree that Kerala got it mostly right in the past 55 years. Because Kerala is the No.1 state in India, here we go, and as always we would like to hear your thoughts.]]></description>
			<content:encoded><![CDATA[<p style="text-align: justify;">Kerala is the No.1 state in India.</p>
<p style="text-align: justify;"><em>(Originally written for <a href="http://beta.bodhicommons.org/article/kerala-since-1956" target="_blank">Bodhi Commons</a> on November 1st anniversary)</em></p>
<blockquote>
<p style="text-align: justify;">At 55, Kerala is at legal retirement age, an age when a more healthy, a better educated crop takes over. But United Nation’s Human Development Report for 2011 seems to suggest Kerala has just started. Kerala has the least loss in human development due to inequality in healthcare, the least loss due to inequality in education, and a host of other parameters.</p>
</blockquote>
<p style="text-align: justify;">National &amp; state media were distracted by another significant finding in the report which suggested that Gujarat, in spite of its fan boys and poster boy chief minister, performed really poorly. Given the fact that Gujarat has been one of India’s wealthiest states historically should make us question the inherent assumptions of industrialization and development. What is progress after all? Each of us have different opinions (which is natural), this compilation will try for some agreement around the facts (which should be common).</p>
<blockquote>
<p style="text-align: justify;">Anniversaries are unique, because they give us the opportunity to drill into the ground water of yesterday, and splash it for a second on our day to day. It is a time to celebrate our triumphs, and our pitfalls. To retrospect on how we fared, and to figure out what is in store. To brood on our darkest hours, and to celebrate our Santosh trophy victories. To mark the last 55 years with 55 landmarks is naïve. Then Bodhi has all the naivety of a campus wall magazine, and I assume we do not give a damn.</p>
</blockquote>
<p style="text-align: justify;">Because the list below is nothing short of impressive, and nowhere near comprehensive. This list is subjective, and at times prejudiced, though it tries to be prejudiced towards the best within us. Like this video:</p>
<p style="text-align: justify;"><span class="youtube">
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</span><p><a href="http://www.youtube.com/watch?v=SZtWQp-CyqE">www.youtube.com/watch?v=SZtWQp-CyqE</a></p></p>
<p style="text-align: justify;">Because it tilts more towards the generation that grew up in the 90s, so that’s what we are. Because there are multiple events and people and struggles we left out from our long list, we would like to hear your thoughts. Because rather than big events, we have focused on big patterns. And while we disagree on a lot many things here -- political, cultural, developmental, social, and personal, I hope we all agree that Kerala got it mostly right in the past 55 years. Because Kerala is the No.1 state in India, here we go, and as always we would like to hear your thoughts.</p>
<p style="text-align: justify;">1. Woman&#8217;s Work Participation Rate<br />
Because this man-woman divide is evident even in migration, for every 10 men who migrate only one woman leaves the country, and most of them are Syrian Christian women, while least of them are Muslim women. Because in spite of the human development claims, Kerala has an abysmal woman&#8217;s participation in the economy with a 15% WPR, nearly 10 percentage points below the national average. Because while initiatives like Kudumbasree try to address the issue, this remains one of the reasons why social progress is not reflecting in economic progress in the state. Because there isn&#8217;t a sunrise sector of the economy which can compensate for the jobs lost by women in the declining agricultural sector (where women engaged in economic activities alongside their household work).</p>
<p style="text-align: justify;">2. M.T. Vasudevan Nair writes &#8216;Oru Vadakkan Veeragadha&#8217;<br />
Because MT redefined vernacular language and dialect in movies like no one ever did, and kindled our softest emotions. Because one of malayalam&#8217;s most loved novelists turned three of our classic folk tales on their head: Chanthu was not the arch betrayer anymore, there was no Freudian &#8220;Perumthachan Complex&#8221;, and Bhiman was the sidelined, sensitive brute. Because with a Jnanpith, multiple academy awards, ten national film awards, and over 25 state film awards, MT undeniably is the towering giant of the last 55 years.</p>
<p style="text-align: justify;"><span class="youtube">
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</span><p><a href="http://www.youtube.com/watch?v=aPqAmcRVMr0">www.youtube.com/watch?v=aPqAmcRVMr0</a></p></p>
<blockquote>
<p style="text-align: justify;">3. Mathrubhumi weekly publishes O.V.Vijayan&#8217;s Ithihasam<br />
Because Appu-Kili, the town idiot, was to be allowed the freedom of both religions, some days a Muslim, some days a Hindu, and on some other days he could be Hindu, Muslim, and Appu-Kili at the same time. Because O.V. Vijayan was brutal at times, like his geometric cartoons, like his sweeping criticisms of geo-politics, and like Ravi who walked the slopes of Khasak reminding us of the loveless thread of Karma. Because O.V. Vijayan was the classic iconoclast in our search for modernism, and ourselves.</p>
</blockquote>
<p style="text-align: justify;"><a href="http://tvmtalkies.com/blog/wp-content/uploads/2012/02/OV-Vijayan.jpg"><img title="OV Vijayan" src="http://tvmtalkies.com/blog/wp-content/uploads/2012/02/OV-Vijayan-300x217.jpg" alt="" width="300" height="217" /></a></p>
<p style="text-align: justify;">4. Migration to the Middle East 1970s<br />
Because with close to 3 million Malayalis in the Gulf nations, remittances augment one-fourth of the Kerala economy, where neon lights of post-1991 India shine next to fluttering red flags. Because with its millennia old relationship with Arab states, unique religious demographic, and highly educated population, Kerala was at the right place to maximize the benefits of an exploding workforce demand in the Arab states starting in 1972. Because some call Kerala a &#8220;money order economy&#8221;, even though that is not true.<span id="more-1639"></span></p>
<p style="text-align: justify;">5. Keltron, CDS, Sree Chitra, and C. Achutha Menon.<br />
Because middle-class Kerala perhaps has no doubts about it, Achutha Menon was our best Chief Minister ever. Because Kerala&#8217;s first finance minister brought land reforms to a meaningful legislative conclusion, picked KPP Nambiar to establish Keltron (yes our first TV sets were homemade), K.N.Raj to setup CDS (which to date remain one of Kerala&#8217;s most respected intellectual playgrounds), and M.S.Valiathan to lead Sree Chitra Institute (yes we make our own heart valves). Because, not many people have survived in Kerala politics from being EMS&#8217;s Man Friday to Arch Nemesis. Because if SSLC 1st rank is the minimum qualification for a Chief Minister, we would have had only one.</p>
<p style="text-align: justify;">6. Muthanga Massacre<br />
Because there are some people we have screwed over 55 times, and then banished into the western ghats of our political consciousness. Because our inability to meet their basic demands and accept their organic leadership continues to this day, and our interaction with them is limited to exploitation of their forest lands and marginalization of their ethos. Because adivasis make up just 2% of Kerala&#8217;s population, similar to christian and sikh demographic from a national context, and may be it is ok to screw the 2%.</p>
<p style="text-align: justify;">7. Naxal movement<br />
Because blood was on the streets of Kerala from 1968 to 1976, and Thalasseri, Pulpally, Kuttiyadi, Varghese, Mandakini, Ajitha, Venu, Philip, Stephen, are names that remind us that annihilation of class enemies isn&#8217;t utopian, but yet it is. Because one could blame the youth of the summer of love, for ideological confusion and moral disarray, one could question their methods, but even today, there aren&#8217;t many who question their intentions. Because suppressing the Naxal movement is considered K. Karunakaran&#8217;s towering achievement in the minds of people who fail to understand the historic role of democratic progressive politics in making Kerala less suitable for extremist left movements.</p>
<p style="text-align: justify;">8. New Wave Malayalam Cinema circa 1970<br />
Because Adoor Gopalakrishnan, MT Vasudevan Nair, K.G. George, Aravindan, Padmarajan, and John Abraham took malayalam cinema to its current international repute with films that embraced modernism and portrayed human condition at its brutal best. Because suddenly a village priest could spit blood on an idol, and a lazy middle class man in &#8216;Elipathayam&#8217; could spit on our collective paralysis. Because cinema for cinema&#8217;s sake isn&#8217;t such a bad idea, and malayalam cinema realized that in the late 70&#8242;s.</p>
<p style="text-align: justify;">9. Land reforms 1957 &amp; 1971<br />
Because every political revolution worth its salt should have a considerable impact on the political economy, ours surely did. Because when the EMS government came to power in 1957, 60% of Keralites owned just 10% of the land, and 1% of the wealthy owned 40%. Because the acceleration of human development in Kerala lists land reforms as an important catalyst. Because this one we have to give to the political will of the Communist party, which even after a host of compromises, finally kept its word to the peasants who lost their life fighting for a more equal society. Because India might catch up one day, and then we&#8217;ll have a more perfect republic.</p>
<p style="text-align: justify;">10. Overthrow of EMS Government in 1959<br />
Because Vimochana Samaram brought together feudal caste and religious forces in the state against education and land reforms, and institutionalized a political coalition that continues to this day. Because CIA funding of churches to topple the world&#8217;s first democratically elected communist government, union of hindu upper caste land owners under NSS, and Indira Gandhi&#8217;s first successful homicide of democracy (she became a serial killer of democracy after that), now figure in the darkest chapter of democracy in India.</p>
<p style="text-align: justify;">11. Kerala Police Football Team circa 1990<br />
Because people who grew up in the 90s would have listened with bated breath to All India Radio&#8217;s live telecast of Federation Cup and Santosh Trophy. Because if they won, schools would close in celebration, and win they did. Because after the untimely death of Jimmy George, it took a while for the state to coalesce behind a galaxy of stars. Because Kerala police boys -- Anchery, Sharafali, Chacko, Sathyan, Pappachan, and IM Vijayan, took India to its highest FIFA rankings ever.</p>
<p style="text-align: justify;"><a href="http://tvmtalkies.com/blog/wp-content/uploads/2012/02/k-karunakaran.jpg"><img title="k karunakaran" src="http://tvmtalkies.com/blog/wp-content/uploads/2012/02/k-karunakaran.jpg" alt="" width="473" height="359" /></a></p>
<p style="text-align: justify;">12. K Karunakaran vs A K Antony<br />
Because in spite of Congress (I) and Congress (A) merging in early 80s, congress politics in Kerala has revolved around these two entities for over three decades. Because partisan squabbles have haunted every UDF government to the extent of paralyzing the state, and brought down three of its own Chief Ministers. Because Karunakaran and A.K.Antony are the tallest leaders INC has produced in the state, towering over the pygmy coteries of today. Because Antony has risen to the top of national politics as we speak, despite expectations to the contrary, and Karunakaran is dead, despite expectations to the contrary.</p>
<p style="text-align: justify;">13. People&#8217;s plan campaign launched<br />
Because after EMS government was overthrown in 1959, decentralization of power was never treated seriously in Kerala, except the creation of district councils during 1990-91. Because People&#8217;s plan campaign launched by LDF government in 1996 (thanks to KSSP, Rajiv Gandhi, and EMS) earmarked 40% of the plan budget of the state to facilitate local level development by mobilizing both people and resources to strengthen the productive base, especially in the primary sector by creating and maintaining public and collective goods. Because despite criticism around execution issues, and capacity building, People&#8217;s plan brought ground level changes to the remotest areas in the state at a pace unseen before or hence. Because when people plan, you do not need to wait for Delhi&#8217;s or Trivandrum&#8217;s kindness, and that is empowering.</p>
<p style="text-align: justify;">14. IFFK launches in Kozhikode<br />
Because the International Film Festival of Kerala has now grown bigger than India International, and is the best that came out of Film Society movements in the state. Because cinema is our most popular art, and when a whole city comes out to celebrate quality cinema from across the world, IFFK becomes the people&#8217;s film festival, the Thrissur Pooram of all film festivals, and another feather in the cap of progressive forces in Kerala which started and sustained the festival. Because when the film Gods descend again on Thiruvananthapuram in December for the 16th edition, they will once again find packed theatres full of people who&#8217;ve been fed good cinema year after year for 16 years now.</p>
<p style="text-align: justify;"><span class="youtube">
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<p style="text-align: justify;">15. Protests against Coca Cola<br />
Because Coca Cola exploitating water resources in Plachimada flew in the face of advocates of unbridled deregulation and industrialization. Because the struggle against Coca Cola became a larger symbol in a fight against neo-liberal tendencies in our societies at social forums across the world. Because as M.N.Vijayan said, drinking Coca Cola is drinking the politics of Coca Cola, and consumption habits may determine how we mold our future.</p>
<p style="text-align: justify;">16. Rajan Murder Case &amp; K Karunakaran<br />
Because the murder of REC Calicut student Rajan under the auspices of then Police minister K. Karunakaran haunted Kerala&#8217;s strongest rightwing leader till his death, and the image of T.V.Eachara Warrier frantically searching for his son continues to haunt malayali&#8217;s collective consciousness. Because Rajan murder case, and the murder of Naxal Varghese, are classic examples of a police state, of everything that is wrong with giving police officers a blank cheque -- a practice that UDF governments continue to this day. Because notorious police officers like Jayaram Padickal, Pulikkodan Narayanan, and Lakshmana had a free rein in the state, and we can only make a wild guess about how many more Rajans and Vargheses were tortured and killed back then.</p>
<p style="text-align: justify;">17. Ramu Karyat&#8217;s Chemmeen wins national award<br />
Because Chemmeen single handedly in 1965 put south Indian cinema in the national map, won the national award for the best movie, and went on to win best cinematography award in Cannes film festival. Because Karyat transformed one of Thakazhi&#8217;s lesser works into cinematic magic with a galaxy of stars -- Hrishikesh Mukherjee, Marcus Bartley, SL Puram, Salil Choudhary, Mannadey, Sathyan, and Kottarakkara.</p>
<p style="text-align: justify;">18. Self financing colleges in professional education<br />
Because Kerala hasn&#8217;t started reaping what A.K.Antony started sowing in 1999. Because every private professional college has betrayed and backtracked on it&#8217;s agreements with the people of Kerala, and professional education is on sale -- it shouldn&#8217;t be. Because charitable societies running these institutions, have neither charity, nor are social as one corruption case after the other come up against the church run institutions. Because if there is a second coming, one can be mighty sure who he will whip first.</p>
<p style="text-align: justify;">19. Silent valley movement<br />
Because Silent Valley movement and KSSP&#8217;s important role in &#8220;Save Silent Valley&#8221; was an important landmark in Kerala history, as it brought in &#8220;Green&#8221; issues to the fore in a nationally noted people&#8217;s movement. Because technology and development are not always the right option as we sometimes assume, and creating a scientific understanding of our ecosystem in the masses was Silent Valley movement&#8217;s lasting achievement. Because Munnar, Mathikettan, and Athirapalli wouldn&#8217;t make much sense in many other Indian states even now.</p>
<p style="text-align: justify;">20. Vaikom Muhammed Basheer publishes &#8216;Pathummayude Aadu&#8217;<br />
Because one plus one is a pretty big one, and so is Basheer. Because Aana Vari, Ponkurisu, Pathumma, Suhara, and Majeed are characters who despite their flaws appeals to some eccentric humanity within us. Because Beppur Sultan appeals to the best within us, and his earthly characters still live amongst us in our most poignant love stories and our best social satires.</p>
<p style="text-align: justify;">21. Satchidananthan and Chullikkadu<br />
Because Satchidanandan wrote an animal which has forests and gushing forest rivers in it&#8217;s memory can never be domesticated. Because Chullikadu and Satchi are animals that refuse to be domesticated, and they spread the anger, conflict, and devastation felt by a generation over their poems.</p>
<p style="text-align: justify;">22. Wanted for Murder -- Sukumara Kurup<br />
Because we didn&#8217;t have a classic Charles Sobhraj, but we did have rippers Surendran, Chacko, and more recently Jayanandan, and Kurup trounced them all -- big time. Because since he murdered Chacko and escaped, he is the most wanted fugitive from law in the state, and a pop culture phenomenon. Because he&#8217;s been supposedly arrested a hundred different times, and most recently spotted in tinsel town, making movies under the fake name Santosh Pandit -- he should be arrested and charged rightfully with murder.</p>
<p style="text-align: justify;">23. Kamala publishes &#8216;My Story&#8217; circa 1976<br />
Because what would happen if one woman told the truth about her life? Because Malayalam&#8217;s greatest woman writer scandalized a nation with &#8216;My Story&#8217; talking about her extramarital affairs and her teenage lesbian crushes. Because &#8216;My Story&#8217; wasn&#8217;t even her second best work, and she continued to tear us apart with her truth telling over the years. Because Yesudas worshipping hindu gods is secularism, Kamala finding solace in Allah is plain lunacy. Because if a woman tells the truth about her life, the world would be split open.</p>
<p style="text-align: justify;">24. Kudumbashree Movement<br />
Because poverty eradication is not about transfer of funds, and Kudumbasree launched in 1998 by the LDF government created a climate of entrepreneurship which over the years has become a success story Kerala is proud of. Because when half the seats were reserved for women in local governments, a big majority of candidates were Kudumbasree members. Because microfinance at bank rates has very few precedents elsewhere in the world and Kerala&#8217;s journey to the fortune at the bottom of the pyramid may have a Kudumbasree route.</p>
<p style="text-align: justify;">25. Nilackal controversy<br />
Because when a society moves faster than ever in the direction of secularism, a forceful pull in the opposite direction is inevitable. Because Nilackal controversy saw the biggest hindu fundamentalist resurgence in a society known for it&#8217;s progressive, secular roots. Because when a Christian church found what it claims to be a cross left by ST. Thomas in the close vicinity of Sabarimala and demanded a church be built there, there was an unusually strong reaction from hindu groups across the state, and even years after the issue died down, pockets in Kerala&#8217;s saffronised neighborhoods tell tales of Kummanam Rajashekaran, and the RSS led resistance.</p>
<p style="text-align: justify;">26. 30 years of Mammooty and Mohanlal<br />
Because the two stars rose to mega-stardom in the golden age of malayalam cinema, defined movies, consumer tastes, and most importantly, the constant duality of the malayali male. Because the first thing any non-Keralite knows about malayalam cinema is two words. Because one keeps getting younger, and other keeps getting philosophical.</p>
<p style="text-align: justify;"><a href="http://tvmtalkies.com/blog/wp-content/uploads/2012/02/Mohanlal-Mammoty.jpg"><img title="Mohanlal Mammoty" src="http://tvmtalkies.com/blog/wp-content/uploads/2012/02/Mohanlal-Mammoty.jpg" alt="" width="572" height="428" /></a></p>
<p style="text-align: justify;">27. Delhicate Constitution<br />
Because in the fall of 2006, this is how malayali presence in Delhi looked like -- &#8220;defense minister, National Security Adviser, Foreign Secretary of India, Space agency Chairman , India’s candidate for the UN secretary bid , Prime Minister’s secretary, President’s secretary &#8220;. Because from the days of Mathai and Krishna Menon, Kerala always had a significant presence in Delhi&#8217;s power corridors, unlikely of a state that seems to be oblivious of Delhi.</p>
<p style="text-align: justify;">28. O.Rajagopal and a BJP that refuses to bloom<br />
Because O.Rajagopal may have been BJP&#8217;s best chance to win in arguably India&#8217;s most progressive state. Because despite charismatic leaders, and intensely communal campaigns in Hindu uppercaste strongholds, BJP has never had a single MLA or MP from Kerala. Because with the eroding vote percentage, the nationalist rightwingers are increasingly irrelevant. Because L.K.Advani&#8217;s new Rath Yatra is in the state today, and nobody knew.</p>
<p style="text-align: justify;">29. Asianet and Indiavision</p>
<p style="text-align: justify;">Because the day, the &#8220;Ray and Keshavan&#8221; designed blue and pink logo started transmission in 1993, Asianet replaced Doordarshan as our defacto communication channel. Because Indiavision proved that 24 hour news or activist journalism is not overkill in a state where people continue to read four newspapers. Because despite Rupert Murdoch buy-outs, and media syndicate allegations, the channels maintain their credibility, and focus their lens on some of the state&#8217;s most burning issues.</p>
<p style="text-align: justify;">30. Babri Masjid is demolished<br />
Because as India burned in the post-Masjid months, Kerala where the single largest community is Muslims, stayed sane. Because the political left gave voice to the outraged, and Kerala owes it to Muslim League for the thin line it tread in months following the Masjid demolition. Because like rest of India, even in Kerala, this was the start of home grown terrorism.</p>
<p style="text-align: justify;">31. Cochin International Airport Limited<br />
Because CIAL is a symbol on the ground of expatriate malayali&#8217;s daily contribution to the state&#8217;s economy, and one of a well-executed public-private partnership. Because Cochin International is now one of the top five busiest international terminals in India, and makes as much money every year, as it cost to build it.</p>
<p style="text-align: justify;">32. Sabarimala Season<br />
Because in the past fifty years, pilgrimage to Sabarimala has increased exponentially, and with close to 50 million pilgrims visiting the temple in just over 60 days, Sabarimala is the largest annual human gathering in the world. Because the state&#8217;s economy, especially the transport and retail sector have their best non-Onam sales during this period, and the temple continues to shine on Kerala&#8217;s secular ethos and Buddhist traditions.</p>
<p style="text-align: justify;"><a href="http://tvmtalkies.com/blog/wp-content/uploads/2012/02/AKG-EMS-Jothi-Basu.jpg"><br />
<img title="AKG EMS Jothi Basu" src="http://tvmtalkies.com/blog/wp-content/uploads/2012/02/AKG-EMS-Jothi-Basu.jpg" alt="" width="428" height="330" /></a></p>
<p style="text-align: justify;">33. Communist Party of India splits in two<br />
Because of the split, Keralites who identify themselves on the political left developed a constant habit of claiming their form of communism as the best.Because if you&#8217;ve grown up in Kerala and asked yourself why 32 comrades including EMS,VS,AKG,and Nayanar walked out of CPI&#8217;s National council to form CPM, your unofficial education in subjects like imperialism, comprador bourgeoisie, and internationalists would have started then. Because of the split, Keralites who identify themselves on the political left developed a constant habit of claiming their form of communism as the best, and even claiming themselves as individual republics. Because 3 years after the split, one firebrand youth leader got disillusioned and started a peasant uprising in a tiny village called Naxalbari.</p>
<p style="text-align: justify;">34. DPEP and Curriculum Renewal<br />
Because DPEP was one of the first steps in a decade long curriculum renewal program that changed primary and secondary school education in the state. Because all round development of students was not the purvey of elite private schools anymore, and examinations produced verifiable positive results on the ground. Because &#8220;critical pedagogy&#8221; and &#8220;Jeevan without Religion&#8221; set national television agendas. Because it gave us the confidence that if executed well, we don&#8217;t need to fear World Bank or ADB funding.</p>
<p style="text-align: justify;">35. First democratically elected Communist government<br />
Because this is a golden bullet point even in India&#8217;s history, and an end product of decades long, at times bloody, churn, that transformed one of India&#8217;s most caste ridden, feudal societies into one of its most secular, progressive ones. Because what the EMS government legislated then, still defines a lot of what we are today as a political economy, be it land reforms, decentralization of power, women&#8217;s rights, or the seemingly unending struggle for education reform. Because the Communist government proved that government can be a great equalizer amongst centuries of feudal privileges, and the idea of equality flourishes in our beautiful state.</p>
<p style="text-align: justify;">36. First Gulf war<br />
Because &#8220;the Berlin airlift was chicken feed.&#8221; compared to Air India&#8217;s massive airlift of over 100,000 Indians, mostly Keralites when Iraq invaded Kuwait. Because it exposed India&#8217;s and Indian Navy&#8217;s unpreparedness for a crisis in the Gulf, and Kerala&#8217;s vulnerabilities in accommodating it&#8217;s millions strong expatriates, and lessons learnt from Gulf war helped the LDF government plan it&#8217;s much commendable response to the 2008 global financial crisis which triggered another wave of returns.</p>
<p style="text-align: justify;">37. Formation of DYFI &amp; SFI<br />
Because an organized strike force is at the center of progressive politics everywhere in the world. Because status quo sometimes needs a little prodding to change, and DYFI and SFI despite their youthful arrogance has provided just that. Because nothing good has come out in the world of middle aged men legislating in air conditioned rooms, without youth and students willing to spill their blood on the streets.</p>
<p style="text-align: justify;"><a href="http://tvmtalkies.com/blog/wp-content/uploads/2012/02/SFI_1.jpg"><img title="SFI_1" src="http://tvmtalkies.com/blog/wp-content/uploads/2012/02/SFI_1-300x225.jpg" alt="" width="300" height="225" /></a></p>
<p style="text-align: justify;">Because the 40-year history of SFI and DYFI has chronicled the scholar&#8217;s lasting struggle, and irrespective of whoever is in power, mostly written in blood and pain. Because the retirement age is still 55 in Kerala, and even today a farm laborer or an auto driver can confidently say his kids will be an engineer or a doctor. Because my annual college fees was less than my monthly school fee.</p>
<p style="text-align: justify;">38. Founding of Kerala congress<br />
Because since its inception in early 60s, Kerala Congress has consistently fought for the rights and privileges of cash crop farmers, and the emergence of rubber as Kerala&#8217;s white gold has sustained this political party. Because the alleged &#8220;rubber backbone&#8221; of Kerala Congress has brought many a government down, and proved that &#8216;real politik&#8217; is much more fun and rewarding than long term governance. Because Kerala Congress has no pretensions, and it&#8217;s galaxy of leaders including Mani, Joseph, Jacob (RIP), and Pillai have been constantly pounded by corruption allegations.</p>
<p style="text-align: justify;">39. Founding of Left Democratic Front and UDF<br />
Because it is gentle reminder that in our state, we do things in our own happy pace. (Image Credits: beinnmhor@flickr)Because since late 70&#8242;s, and notably since EMS proposed not to align with communal parties in 1987, UDF and LDF are bedrocks of Kerala Politics. Because not one government was brought down by coalition partners, and despite big brother allegations, the two political formations in Kerala have literally created a highly democratic two party system. Because despite allegations of both formations being the same, the Kerala voter understands they are different, and goes off to show how advanced representative democracy in Kerala is.</p>
<p style="text-align: justify;">40. Founding of Technopark in Trivandrum<br />
Because Technopark may be the single largest employment location in Kerala, and may account for over 70% of state&#8217;s IT exports, but it still feels it&#8217;s just getting started with the ongoing expansions, and the upcoming IT corridor. Because when it was conceived and created by LDF government in 1990 and headed by legendary KPP Nambiar, India was just opening up, and hence it is a story of long term vision, and one of opportunties lost since then when every other state marched past us. Because it is gentle reminder that in our state, we do things in our own happy pace.</p>
<p style="text-align: justify;">41. Pinarayi Vijayan &amp; VS expelled from CPM politburo<br />
Because despite running one of the best governments in Kerala from 2006-11, internal squabbles within the CPM unlike other times got more air time than anything else. (Image Credits: CPIM Kerala)Because partisan disputes and clash of big egos is nothing new to CPM, but expulsion of VS and Vijayan (sitting Chief Minister and the state party secretary) from the CPM polit was unprecedented, and was arguably a fitting climax to a long and drawn out war VS has waged within the party since the Palakkad conference. Because howsoever the party blames the &#8220;media syndicate&#8221;, VS versus rest of the party has been playing out for over a decade now, to the extent that VS refused to take sides with some of his cabinet colleagues, collective responsibility notwithstanding. Because despite running one of the best governments in Kerala from 2006-11, internal squabbles within the CPM unlike other times got more air time than anything else. Because as the CPM nears another state conference, there isn&#8217;t a slow drumbeat of another war, but a party like CPM should ideally be in a constant war with itself.</p>
<p style="text-align: justify;">42. India&#8217;s Space Program launches in Trivandrum<br />
Because when Homi Bhaba and Vikram Sarabhai setup India&#8217;s first spaceport in Thumba, and engineers including APJ Abdul Kalam worked out of a cattle shed, we never knew a capsule developed in that village would one day put India&#8217;s first man on the moon (we are not sure even now, but most surely we will). Because Sarabhai&#8217;s namesake Space Center in Trivandrum is the largest of Indian space facilities and fully responsible for programs like Nike Apache, SLV, ASLV, PSLV, GSLV, and space recovery capsule -- abbreviations written in golden letters in the history of Indian science and technology history.</p>
<p style="text-align: justify;">43. Jawaharlal Nehru -- 1928 -- 1959<br />
Because the 1928 peoples conference in the state which first raised the demand for a democratic unified state for malayalam speaking people was presided over by the young leader of the socialist faction of INC, one year before he rose to prominence as Congress party president. Because the pragmatist in Nehru dismissed the first democratically elected government in the state 31 years later. Because Article 356, which founding fathers envisioned for the rarest of rare cases, was since 1959 misused by every central government to crush state&#8217;s rights. Because it took a malayali statesman, KR Narayanan in Rashtrapathi Bhavan, and SR Bommai Vs Union of India to set the republic straight.</p>
<p style="text-align: justify;">44. Payyoli Express<br />
Because P.T.Usha was a legend when she was 18, she is one as she nears 50. Because Usha is one of the greatest sportspersons India ever produced, she was the first Indian woman to reach the final of an Olympics event, and what happened at that event is now a folk tale. Because Usha reminds us when she is not given the respect she deserves, and with the school of athletics she started, Usha can rightfully claim some.</p>
<p style="text-align: justify;">45. Kanayi completes &#8216;Yakshi&#8217; in Malampuzha<br />
Because neurotically conservative Kerala grudgingly lives with the &#8220;Yakshi&#8221; in Malampuzha and the fifty feet long, fully nude mermaid in Trivandrum. Because across the state starting from tourist village in Veli, Kanhayi&#8217;s impressions challenge the status quo. Because Kanhayi&#8217;s dream for Kochi -- a hundred feet tall woman, entering the sea of Arabs (Queen of the Arabian Sea) may just be our lady liberty.</p>
<p style="text-align: justify;">46. Mimicry as popular art<br />
Because mimicry provided our best social satire over the past two decades and our best entertainers. Because of this endless list -- Cochin Haneefa, Fazil, Siddiue, Lal, Jayaram, Dileep, Mani, Ashokan, Nazeer, Aby,…. Nadirshah. Because in every single other movie industry in India stardom needs to be inherited.</p>
<p style="text-align: justify;"><a href="http://tvmtalkies.com/blog/wp-content/uploads/2012/02/icecream.jpg"><img title="icecream" src="http://tvmtalkies.com/blog/wp-content/uploads/2012/02/icecream-300x122.jpg" alt="" width="300" height="122" /></a></p>
<p style="text-align: justify;">47. Palmolein, Idamalayar, and SNC Lavalin cases<br />
Because even though cronyism and blatant corruption is not new in India, K.Karunakaran&#8217;s style of governance (like Indira&#8217;s) made it endemic, with many of these scams playing out for decades now. Because Balakrishna Pillai went to jail, a CVC had to resign, K.Karunakaran was defendant until death, T.M.Jacob and Mani were constantly inundated, and these scandals have hogged constant media and public attention. Because Chief Minister Ommen Chandy, the number two man in the cabinet, CPM State Secretary Pinarayi Vijayan, and Speaker of the house are now under investigation in different cases.</p>
<p style="text-align: justify;">48. Kerala Science Literature Movement<br />
KSSP is closely entwined with many of the things Keralites are publicly proud of.Because in March 1986, the General Council of the KSSP took a decision to make Kerala totally literate in five years, which meant educating 170,000 people in Ernakulam district alone. Because taking two hundred years of scientific thought to the people is one thing, but speaking their language, engaging with them, and building arguably India&#8217;s largest volunteer movement to use science for social revolution is another. Because ranging from rural forums to mass literacy campaigns to democratic decentralization to science publications that reduced the knowledge gap between the haves and have nots, KSSP is closely entwined with many of the things Keralites are publicly proud of.</p>
<p style="text-align: justify;">49. Kerala state youth festival -- Yuvajanotsavam<br />
Because many a movie star, and a celestial singer launched into stardom from the state youth festival, one of the largest student festivals in Asia. Because from 400 odd students in 1956 to over 10,000 competitors, and hundreds of thousands of spectators, the event now sits at the cultural activities in the state, both in terms of quality and participation. Because, like the Kerala entrance results, the winners tell the story of emerging districts. Trivandrum won overall championship ten times in a row since 1980; not once since.</p>
<p style="text-align: justify;">50. Kerala&#8217;s extremist movements PDP to NDF<br />
Because homegrown terror is a constant threat we sleep with, and as no one is born a terrorist, extremist groups based on whacky religious discourses more often than not play a significant role in creating home grown terrorists. Because NDF, SIMI, and PDP have grown, sustained, and propagated through the vitriol of vengeance since the demolition of the mosque, and the genocide in Gujarat. Because many a terrorist attack in India has had elements from Kerala involved, and the arab umbilical cord of hawala runs right through the state.</p>
<p style="text-align: justify;">51. Free Software Movement &amp; FOSS<br />
Because Jayalalitha&#8217;s government in TN will supply 7 million laptops over the next 5 years to students at a total cost of over 10,000 crore, all loaded with Microsoft&#8217;s proprietary software, and experts across the country call it a millstone around students&#8217; neck. Because that is the difference between a government with vision, and another with a lot of money to spare. Because Free and Open Source Software adopted by the LDF government in 2007, with VS as its lead proponent, was another success story of ours in proving that another world is possible. Because e-literacy in Kerala is driven on the free software platform, and IT fixed costs across government departments are highly reduced because of FOSS adoption. Because this was led by a Chief Minister who didn&#8217;t complete high school education.</p>
<p style="text-align: justify;">52. AKG leads &#8220;Michabhoomi Samaram&#8221;<br />
Because despite the best efforts of the Communist party to legislate land reforms, successful campaigns toppled the governments and derailed the land reforms agenda. Because revolution through parliamentary democracy can be plan A, but it is always good to have a plan B up your sleeves, and forceful occupation of excess land was the Plan B. Because 28 people lost their lives across the state in &#8220;Michabhoomi Samaram&#8221; fighting for the land which was legally theirs, proving that political power and people&#8217;s movements can go hand in hand.</p>
<p style="text-align: justify;">53. Rubber as a cash crop<br />
Because rubber prices significantly contribute to trends in state domestic product, and Kerala produces more than 90% of all natural rubber produced in the country. Because Kerala is in one weird sort of way, a state which benefits when international crude oil prices go up (since price of synthetic rubber increases). Because ASEAN and WTO agreements can break the backbone of the rubber and coconut oil economy, which explains why popular struggles again free trade are indeed popular in the state.</p>
<p style="text-align: justify;">54. Cochin Ship Yard<br />
Because India&#8217;s first indigenous Aircraft carrier will hit the waters of Vembanad lake in a few months time, another feather in the cap of India&#8217;s largest ship building yard. Because more than the money and the jobs it brings to the state, shipyard will become increasingly critical as India plans to raise its stake for control over the Indian Ocean.</p>
<p style="text-align: justify;">55. KTDC coins &#8216;Gods Own Country&#8217;<br />
Because Amitabh Kant may have moved on from driving brand &#8220;God&#8217;s Own country&#8221; to brand &#8220;Incredible India&#8221;, but the Europeans keep coming in chartered flights, and in the hundreds of thousands. Because may be Kovalam, Allapuzha, and Munnar are genuine compared to the formulaic Sea-Sand-Surf-Sex concotions of Cancuns and Pattayas. Because it is a classic, though subtle, unorganised entrepreneurial triumph, and no one would believe Kerala had just 30,000 foreign visitors in 1980.</p>
<p style="text-align: justify;"><span class="youtube">
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		<title>Santosh Sivan&#8217;s Urumi &#8211; Review</title>
		<link>http://tvmtalkies.com/archives/1520</link>
		<comments>http://tvmtalkies.com/archives/1520#comments</comments>
		<pubDate>Sun, 17 Apr 2011 19:13:08 +0000</pubDate>
		<dc:creator>bvn</dc:creator>
				<category><![CDATA[talkies]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[malayalam]]></category>

		<guid isPermaLink="false">http://tvmtalkies.com/?p=1520</guid>
		<description><![CDATA[Prithviraj disappoints. Then again I am back from watching Mohanlal's Chinatown, so disappointment needs to be understood as occurring when there is hope left. Mohanlal cannot disappoint me anymore. Prithvi loses control at critical junctures in the movie. This is the same actor who gave extrememly controlled performances in Vasthavam and Thalappavu, but he loses it occasionally in "Urumi". ]]></description>
			<content:encoded><![CDATA[<blockquote>
<div id="_mcePaste" style="text-align: justify;"><em><span style="color: #000000;">Prithviraj disappoints. Then again I am back from watching Mohanlal&#8217;s Chinatown, so disappointment needs to be understood as occurring when there is hope left. Mohanlal cannot disappoint me anymore. Prithvi loses control at critical junctures in the movie. This is the same actor who gave extrememly controlled performances in Vasthavam and Thalappavu, but he loses it occasionally in &#8220;Urumi&#8221;.</span></em></div>
<div style="text-align: justify;"><em><span style="color: #000000;"><br />
</span></em></div>
<div style="text-align: justify;"><em><span style="color: #000000;"> A movie is much more than a screenplay or a story, and if the whole purpose of a movie is to tell a story, a novel or a short story would suffice, and when it comes to M.T. I wonder whether M.T.&#8217;s screenplays rise above turning the emotional knob. As someone put it, there is a distance between M.T.s Snow (Manju) and Orhan Pamuk&#8217;s Snow, a distance which some of us love to forget.</span></em></div>
</blockquote>
<div style="text-align: justify;"><span style="color: #0000ee; -webkit-text-decorations-in-effect: underline;"><img class="aligncenter size-full wp-image-1523" style="display: block; margin-left: auto; margin-right: auto; border: 0px initial initial;" title="Print" src="http://tvmtalkies.com/blog/wp-content/uploads/2011/04/urum2.jpg" alt="" width="507" height="279" /></span></div>
<div><span style="color: #0000ee; -webkit-text-decorations-in-effect: underline;"><br />
</span></div>
<div style="text-align: justify;">&#8216;Urumi&#8217; is an interesting new movie in the theatres which seems to have divided public opinion right down the middle. I am reviewing a movie here after a long time, and Urumi is a good pick because I am not a fence-sitter on this one. Even after discounting for a group of young people who would cry foul of any Prithviraj movie (&#8216;avanu enthoru jadayanu&#8217;), and another group of people who are still stuck in the Mammooty, Mohanlal, Gopi era of superstars (fact is there are 3 super stars even today -- Mammooty, Dileep, and Prithviraj), there still seems to be a good chunk of people who watched the movie and genuinely disliked it.</div>
<div id="_mcePaste" style="text-align: justify;">For a start, I really liked the movie, and this was after watching it with pretty high expectations (because I expected Santosh Sivan and Prithviraj to have come a long way from &#8216;Ananthabhadram&#8217;, a movie produced by Manian Pilla Raju. I was right on the former, and a bit let down on the latter). That said, &#8216;Urumi&#8217; is refreshingly new, technically brilliant attempt in Malayalam cinema which ranks much high above &#8216;Pazhassiraja&#8217; and a tad below &#8216;Veeragadha&#8217;. It is a must watch in a field muddled by Christian Brothers, China Town, August 15, and Makeup Man. The movie ranks alongside Traffic, and Pranchiyettan as one of the good movies that will define the current so-called &#8216;Golden Age&#8217; of malayalam cinema.</div>
<div style="text-align: justify;"><a href="http://www.youtube.com/watch?v=_ZEwfhSYgy0"><span class="youtube">
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</span><p><a href="http://www.youtube.com/watch?v=_ZEwfhSYgy0">www.youtube.com/watch?v=_ZEwfhSYgy0</a></p></a></div>
<div style="text-align: justify;"><strong><span style="text-decoration: underline;">Storyline:</span></strong></div>
<div id="_mcePaste" style="text-align: justify;">The camera follows a warrior Kelu Nayananar (Prithvi) as he tries to avenge the death of his father in the hands of Vasco Da Gama. Vavvali (Prabhudeva) and Arackal Aisha (Genelia) make up the supporting ensemble, and Jagathy Sreekumar delivers one of his finest till date as the machiavellian Chenichery Kurup. The constant theme of the movie is revenge, royal intrigue, and sea trade, served around the sounds of deep mysticism and at times haunting background score.</div>
<div id="_mcePaste" style="text-align: justify;">Full Story <a href="http://urumithemovie.com/" target="_blank"><strong><span style="color: #0000ff;"><em>here</em></span></strong></a></div>
<div style="text-align: justify;"><span style="color: #0000ee;"><a href="http://tvmtalkies.com/blog/wp-content/uploads/2011/04/urum3.jpg"><img class="aligncenter size-large wp-image-1522" title="urum3" src="http://tvmtalkies.com/blog/wp-content/uploads/2011/04/urum3-1024x513.jpg" alt="" width="614" height="308" /></a></span><span style="color: #0000ee;"><br />
</span></div>
<div id="_mcePaste" style="text-align: justify;"><strong><span style="text-decoration: underline;">The Good:</span></strong></div>
<div id="_mcePaste" style="text-align: justify;">Story, Screenplay, and a movie: As a period drama, &#8220;Urumi&#8221; cannot but avoid comparisons with two of M.T.Vasudevan Nair&#8217;s works, &#8216;Veeragadha&#8217; and &#8216;Pazhassiraja&#8217;.Often times we assume that a movie is for telling a story, and we have our own assumptions like all of M.T.Vasudevan Nair&#8217;s screenplays are classics. Both these assumptions lack the support of facts. A movie is much more than a screenplay or a story, and if the whole purpose of a movie is to tell a story, a novel or a short story would suffice, and when it comes to M.T. I wonder whether M.T.&#8217;s screenplays rise above turning the emotional knob. As someone put it, there is a distance between M.T.s Snow (Manju) and Orhan Pamuk&#8217;s Snow, a distance which some of us love to forget.</div>
<blockquote>
<div style="text-align: justify;"><span style="color: #000000;">Case in point,&#8221;Urumi&#8221; uses much more than just a linear story or screenplay to create a cinematic experience. And the cinematic experience created by &#8220;Urumi&#8221; is more wholesome than M.T-Hariharan team&#8217;s &#8220;Pazhassiraja&#8221;, in that the different parts of the movie including screenplay, dialogues, casting, cinematography, editing, and background score gel together much more seamlessly than &#8220;Pazhassiraja&#8221;. And unlike &#8220;Pazhassiraja&#8221;, the elements are not siloed, nor customized for an aging super star. One fine example is how the songs in &#8220;Urumi&#8221; flows with the pace of the movie, and those in Pazhassi jutt out.</span></div>
</blockquote>
<div style="text-align: justify;"><a href="http://www.youtube.com/watch?v=8F7ei_JlS6o"><span class="youtube">
<object width="480" height="403">
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</span><p><a href="http://www.youtube.com/watch?v=8F7ei_JlS6o">www.youtube.com/watch?v=8F7ei_JlS6o</a></p></a></div>
<div id="_mcePaste" style="text-align: justify;">In terms of dialogues, &#8220;Vadakkan veeragadha&#8221; has few comparisons in malayalam cinema, and while Urumi does not hit it out of the park, the movie does not fall flat like &#8216;Pazhassiraja&#8217;. Two key areas where &#8216;Pazhassiraja&#8217; failed were that the dialogues were uninspiring, lacked the punch, and not a single one was memorable. Secondly, the dialogues in &#8216;Pazhassi&#8217;, both the wording and the delivery were in 21st century malayalam, an area where I feel M.T. compromised. Shankar Ramakrishnan does a commendable job here in terms of weaving in loaded historical facts with a unique dialect and tone, which adds to the mystique of the this historical-fantasy. Weeks after the movie I remember atleast a couple of dialogues -- esp one between Arackal Beevi and Ayesha, and the ones between Kelu Nayanar and the Chirackal King, memorable dialogues with a balance of art and adrenalin.</div>
<div style="text-align: justify;">The cinematography, background score, and Jagathy Sreekumar&#8217;s performance are notable highlights of Urumi. Santosh Sivan with 6 National Awards under his belt literally mesmerizes with the camera, &#8220;Urumi&#8221; is a visual treat with at times haunting background score, and a few good songs that go with the flow of the movie. Jagathy Sreekumar plays the part of a machiavellian minister, with his sinister urges, and a feminine side which he cannot conceal. This role could have been totally destroyed if played by anyone else (Suraaj Venjaranmoodu say), but Jagathy romps home with a definite winner. It is sad that you need to play a leading role to win a best actor award. Jagathy deserves it. Santosh Sivan did a fine job in casting Genelia as Arackal Ayesha. The serious effort that has gone into martial arts training reflects in the movie, and Genelia does much better than Prithviraj in that front, and in portraying a character who is threatening from start to end. Prabhu Deva brings in a much needed lightness to the movie, which is almost absent in &#8216;Pazhassiraja&#8217;, though I wonder if his talents were fully utilized.</div>
<div id="_mcePaste" style="text-align: justify;">The Bad:</div>
<div style="text-align: justify;"><span style="color: #0000ee;"><img class="aligncenter size-medium wp-image-1521" style="display: block; margin-left: auto; margin-right: auto; border: 0px initial initial;" title="uru1" src="http://tvmtalkies.com/blog/wp-content/uploads/2011/04/uru1-300x105.jpg" alt="" width="300" height="105" /><a href="http://tvmtalkies.com/blog/wp-content/uploads/2011/04/urum3.jpg"></a></span><a href="http://tvmtalkies.com/blog/wp-content/uploads/2011/04/urum3.jpg"></a></div>
<div><span style="color: #0000ee;"><br />
</span></div>
<div style="text-align: justify;">Prithviraj disappoints. Then again I am back from watching Mohanlal&#8217;s Chinatown, so disappointment needs to be understood as occurring when there is hope left. Mohanlal cannot disappoint me anymore. Prithvi loses control at critical junctures in the movie. This is the same actor who gave extrememly controlled performances in Vasthavam and Thalappavu, but he loses it occasionally in &#8220;Urumi&#8221;. Much of the criticism for &#8220;Urumi&#8221; seems to stem from Prithvi&#8217;s attempts at doing a lot many things together, especially teenagesque comedy at uncalled for places. &#8220;Urumi&#8221; is a movie where Prithvi wins as a producer, but fails as an actor. Then again the movie is built around the hulking frame of Prithviraj, and the effort he put in to embody the role, and in delivering at times complex dialogues should be appreciated.</div>
<div style="text-align: justify;">Historical inaccuracies can be pointed out, including the death of Gama. But this is a historical-fantasy, and that what it is.(like Tarantino&#8217;s Bastards)</div>
<div style="text-align: justify;">Lack of a linear, water tight story line. &#8220;Urumi&#8221; is not intended to do that. For a water tight screenplay which turns all knobs and fires on all emotional cylinders, one should watch Rangith&#8217;s movies like Kayyoppu, Pranchiyettan et al.</div>
<div style="text-align: justify;">&#8220;Urumi&#8221; is a cinematic experience rarely seen in malayalam cinema, and Prithviaj and Santosh Sivan deserves their share of praise in attempting this second most costly movie in Mollywood.</div>
<div style="text-align: justify;"><span style="text-decoration: underline;"><strong>Verdict</strong></span>: Must Watch. (Do yourselves a favor)</div>
<p style="text-align: justify;"><a href="http://tvmtalkies.com/blog/wp-content/uploads/2011/04/uru1.jpg"></a></p>
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		<slash:comments>16</slash:comments>
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		<item>
		<title>Talking to you is like talking to a goat!</title>
		<link>http://tvmtalkies.com/archives/1474</link>
		<comments>http://tvmtalkies.com/archives/1474#comments</comments>
		<pubDate>Tue, 22 Mar 2011 02:34:23 +0000</pubDate>
		<dc:creator>bvn</dc:creator>
				<category><![CDATA[Trivia]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[Viral Video]]></category>

		<guid isPermaLink="false">http://tvmtalkies.com/?p=1474</guid>
		<description><![CDATA[Some cheap fun, to keep me entertained till Prime Minister ManMohan Shameless decides to quit. My top5 viral.
this one is just in, it has like 7 MM views. So I am kinda late.







www.youtube.com/watch?v=N9oxmRT2YWw
the Casey Heynes bully video.







www.youtube.com/watch?v=pC5DoNKB2rg
Talking to you is like talking to a goat







www.youtube.com/watch?v=Q_OIXfkXEj0
Good old Charlie.







www.youtube.com/watch?v=_OBlgSz8sSM
and Good old Panda.







www.youtube.com/watch?v=EAcdvmnZ_GM
and Ahmed the dead terrorist.







www.youtube.com/watch?v=1uwOL4rB-go
More videos [...]]]></description>
			<content:encoded><![CDATA[<p>Some cheap fun, to keep me entertained till Prime Minister ManMohan Shameless decides to quit. My top5 viral.</p>
<p>this one is just in, it has like 7 MM views. So I am kinda late.</p>
<p><a href="http://www.youtube.com/watch?v=N9oxmRT2YWw"><span class="youtube">
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</span><p><a href="http://www.youtube.com/watch?v=N9oxmRT2YWw">www.youtube.com/watch?v=N9oxmRT2YWw</a></p></a></p>
<p>the Casey Heynes bully video.</p>
<p><a href="http://www.youtube.com/watch?v=pC5DoNKB2rg"><span class="youtube">
<object width="480" height="403">
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<param name="allowFullScreen" value="true" />
<embed wmode="opaque" src="http://www.youtube.com/v/pC5DoNKB2rg?color1=5d1719&amp;color2=cd311b&amp;border=1&amp;fs=1&amp;hl=en&amp;modestbranding=1&amp;loop=&amp;showinfo=0&amp;iv_load_policy=3&amp;showsearch=0&amp;rel=0" type="application/x-shockwave-flash" allowfullscreen="true" width="480" height="403"></embed>
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</span><p><a href="http://www.youtube.com/watch?v=pC5DoNKB2rg">www.youtube.com/watch?v=pC5DoNKB2rg</a></p></a></p>
<p>Talking to you is like talking to a goat</p>
<p><a href="http://www.youtube.com/watch?v=Q_OIXfkXEj0"><span class="youtube">
<object width="480" height="403">
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</span><p><a href="http://www.youtube.com/watch?v=Q_OIXfkXEj0">www.youtube.com/watch?v=Q_OIXfkXEj0</a></p></a></p>
<p>Good old Charlie.</p>
<p><a href="http://www.youtube.com/watch?v=_OBlgSz8sSM"><span class="youtube">
<object width="480" height="403">
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<param name="allowFullScreen" value="true" />
<embed wmode="opaque" src="http://www.youtube.com/v/_OBlgSz8sSM?color1=5d1719&amp;color2=cd311b&amp;border=1&amp;fs=1&amp;hl=en&amp;modestbranding=1&amp;loop=&amp;showinfo=0&amp;iv_load_policy=3&amp;showsearch=0&amp;rel=0" type="application/x-shockwave-flash" allowfullscreen="true" width="480" height="403"></embed>
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</span><p><a href="http://www.youtube.com/watch?v=_OBlgSz8sSM">www.youtube.com/watch?v=_OBlgSz8sSM</a></p></a></p>
<p>and Good old Panda.</p>
<p><a href="http://www.youtube.com/watch?v=EAcdvmnZ_GM"><span class="youtube">
<object width="480" height="403">
<param name="movie" value="http://www.youtube.com/v/EAcdvmnZ_GM?color1=5d1719&amp;color2=cd311b&amp;border=1&amp;fs=1&amp;hl=en&amp;modestbranding=1&amp;loop=&amp;showinfo=0&amp;iv_load_policy=3&amp;showsearch=0&amp;rel=0" />
<param name="allowFullScreen" value="true" />
<embed wmode="opaque" src="http://www.youtube.com/v/EAcdvmnZ_GM?color1=5d1719&amp;color2=cd311b&amp;border=1&amp;fs=1&amp;hl=en&amp;modestbranding=1&amp;loop=&amp;showinfo=0&amp;iv_load_policy=3&amp;showsearch=0&amp;rel=0" type="application/x-shockwave-flash" allowfullscreen="true" width="480" height="403"></embed>
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</span><p><a href="http://www.youtube.com/watch?v=EAcdvmnZ_GM">www.youtube.com/watch?v=EAcdvmnZ_GM</a></p></a></p>
<p>and Ahmed the dead terrorist.</p>
<p><a href="http://www.youtube.com/watch?v=1uwOL4rB-go"><span class="youtube">
<object width="480" height="403">
<param name="movie" value="http://www.youtube.com/v/1uwOL4rB-go?color1=5d1719&amp;color2=cd311b&amp;border=1&amp;fs=1&amp;hl=en&amp;modestbranding=1&amp;loop=&amp;showinfo=0&amp;iv_load_policy=3&amp;showsearch=0&amp;rel=0" />
<param name="allowFullScreen" value="true" />
<embed wmode="opaque" src="http://www.youtube.com/v/1uwOL4rB-go?color1=5d1719&amp;color2=cd311b&amp;border=1&amp;fs=1&amp;hl=en&amp;modestbranding=1&amp;loop=&amp;showinfo=0&amp;iv_load_policy=3&amp;showsearch=0&amp;rel=0" type="application/x-shockwave-flash" allowfullscreen="true" width="480" height="403"></embed>
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</span><p><a href="http://www.youtube.com/watch?v=1uwOL4rB-go">www.youtube.com/watch?v=1uwOL4rB-go</a></p></a></p>
<p>More videos <a href="http://tvmtalkies.com/video">here</a></p>
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		<title>Are you sure&#8230;</title>
		<link>http://tvmtalkies.com/archives/1464</link>
		<comments>http://tvmtalkies.com/archives/1464#comments</comments>
		<pubDate>Thu, 17 Mar 2011 22:26:45 +0000</pubDate>
		<dc:creator>bvn</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Trivia]]></category>
		<category><![CDATA[Video]]></category>

		<guid isPermaLink="false">http://tvmtalkies.com/?p=1464</guid>
		<description><![CDATA[&#8230;.the best thing that ever happened to television is LOST.







www.youtube.com/watch?v=-vn2hlXVDZQ
Oh, look around you
Look down the bar from you
at the  faces that you see
Are you sure that this is where you want to be
These are your friends
But are they real friends
Do they love you as much as me
Are you sure that this is where you want [...]]]></description>
			<content:encoded><![CDATA[<p>&#8230;.the best thing that ever happened to television is LOST.</p>
<p><a href="http://www.youtube.com/watch?v=-vn2hlXVDZQ"><span class="youtube">
<object width="480" height="403">
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</span><p><a href="http://www.youtube.com/watch?v=-vn2hlXVDZQ">www.youtube.com/watch?v=-vn2hlXVDZQ</a></p></a></p>
<div id="_mcePaste">Oh, look around you</div>
<div id="_mcePaste">Look down the bar from you</div>
<div id="_mcePaste">at the  faces that you see</div>
<div id="_mcePaste">Are you sure that this is where you want to be</div>
<div id="_mcePaste">These are your friends</div>
<div id="_mcePaste">But are they real friends</div>
<div id="_mcePaste">Do they love you as much as me</div>
<div id="_mcePaste">Are you sure that this is where you want to be</div>
<div>You seem in such a hurry to live this kind of life</div>
<div id="_mcePaste">You&#8217;ve caused so many tears and misery</div>
<div id="_mcePaste">Look around you, take a good look</div>
<div id="_mcePaste">And tell me what you see</div>
<div id="_mcePaste">Are you sure that this is where you want to be</div>
<div>Don&#8217;t let my tears persuade you, I had hoped I wouldn&#8217;t cry</div>
<div id="_mcePaste">But lately, teardrops seem a part of me</div>
<div id="_mcePaste">Oh, look around you, take a good look</div>
<div id="_mcePaste">At all the lonely used-to-be&#8217;s</div>
<div id="_mcePaste">Are you sure that this is where you want to be</div>
<div></div>
<div></div>
<div><span style="text-decoration: underline;">Subscribe to Talkies &gt;&gt;&gt;</span></div>
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		<title>If history is any indicator&#8230;.</title>
		<link>http://tvmtalkies.com/archives/1393</link>
		<comments>http://tvmtalkies.com/archives/1393#comments</comments>
		<pubDate>Fri, 10 Dec 2010 22:41:45 +0000</pubDate>
		<dc:creator>bvn</dc:creator>
				<category><![CDATA[Politics]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[China]]></category>
		<category><![CDATA[freedom]]></category>

		<guid isPermaLink="false">http://tvmtalkies.com/?p=1393</guid>
		<description><![CDATA[I agree that human rights include the right to food and shelter, which the Chinese are trying hard to provide. But to quote an Indian revolutionary,

"Freedom is not worth having if it does not connote freedom to err. It passes my comprehension how human beings, be they ever so experienced and able, can delight in depriving other human beings of that precious right."]]></description>
			<content:encoded><![CDATA[<p>&#8230;China will pay for <a href="http://en.wikipedia.org/wiki/Human_rights_in_the_People%27s_Republic_of_China"><span style="color: #ff0000;"><span style="text-decoration: underline;">this</span></span></a>.</p>
<p><span class="youtube">
<object width="480" height="403">
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</span><p><a href="http://www.youtube.com/watch?v=N-rITpChntc">www.youtube.com/watch?v=N-rITpChntc</a></p></p>
<p>I agree that human rights include the right to food and shelter, which the Chinese are trying hard to provide. But to quote an Indian revolutionary,</p>
<p>&#8220;Freedom is not worth having if it does not connote freedom to err. It passes my comprehension how human beings, be they ever so experienced and able, can delight in depriving other human beings of that precious right.&#8221;</p>
<p><a href="http://tvmtalkies.com/blog/wp-content/uploads/2010/12/fish1.jpg"><img class="aligncenter size-full wp-image-1417" title="fish1" src="http://tvmtalkies.com/blog/wp-content/uploads/2010/12/fish1.jpg" alt="" width="500" height="427" /></a></p>
<p>P.S:  Very funny Mr.Fish, but I still believe <a href="http://tvmtalkies.com/archives/791"><em><strong><span style="color: #ff0000;"><span style="text-decoration: underline;">Bambi Nobel was a right decision.</span></span></strong></em></a></p>
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		<title>Five beautiful videos</title>
		<link>http://tvmtalkies.com/archives/1335</link>
		<comments>http://tvmtalkies.com/archives/1335#comments</comments>
		<pubDate>Wed, 24 Nov 2010 06:16:30 +0000</pubDate>
		<dc:creator>bvn</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[Billy Collins]]></category>

		<guid isPermaLink="false">http://tvmtalkies.com/?p=1335</guid>
		<description><![CDATA[Five short video renditions of Billy Collins' poems.]]></description>
			<content:encoded><![CDATA[<p>Five short video renditions of Billy Collins&#8217; poems. I loved the 2nd one.</p>
<p>Forgetfulness (Read the poem <a href="../../archives/451" target="_blank"><span style="text-decoration: underline;"><strong>here</strong></span></a>)</p>
<p><span class="youtube">
<object width="480" height="403">
<param name="movie" value="http://www.youtube.com/v/n-a8ELOVig4?color1=5d1719&amp;color2=cd311b&amp;border=1&amp;fs=1&amp;hl=en&amp;modestbranding=1&amp;loop=&amp;showinfo=0&amp;iv_load_policy=3&amp;showsearch=0&amp;rel=0" />
<param name="allowFullScreen" value="true" />
<embed wmode="opaque" src="http://www.youtube.com/v/n-a8ELOVig4?color1=5d1719&amp;color2=cd311b&amp;border=1&amp;fs=1&amp;hl=en&amp;modestbranding=1&amp;loop=&amp;showinfo=0&amp;iv_load_policy=3&amp;showsearch=0&amp;rel=0" type="application/x-shockwave-flash" allowfullscreen="true" width="480" height="403"></embed>
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</span><p><a href="http://www.youtube.com/watch?v=n-a8ELOVig4">www.youtube.com/watch?v=n-a8ELOVig4</a></p></p>
<p>The Dead</p>
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</span><p><a href="http://www.youtube.com/watch?v=iuTNdHadwbk">www.youtube.com/watch?v=iuTNdHadwbk</a></p></p>
<p><span id="more-1335"></span></p>
<p>Some Days</p>
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</span><p><a href="http://www.youtube.com/watch?v=yaBeaQHdrGo">www.youtube.com/watch?v=yaBeaQHdrGo</a></p></p>
<p>Now and Then</p>
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</span><p><a href="http://www.youtube.com/watch?v=k0xiWuwGq8M">www.youtube.com/watch?v=k0xiWuwGq8M</a></p></p>
<p>The Best Cigarette ( read poem <a href="http://tvmtalkies.com/archives/1287" target="_blank"><span style="color: #0000ff;"><span style="text-decoration: underline;"><strong>here</strong></span></span></a>)</p>
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</span><p><a href="http://www.youtube.com/watch?v=kbRifIzMth0">www.youtube.com/watch?v=kbRifIzMth0</a></p></p>
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		<title>The Best Cigarette</title>
		<link>http://tvmtalkies.com/archives/1287</link>
		<comments>http://tvmtalkies.com/archives/1287#comments</comments>
		<pubDate>Thu, 19 Aug 2010 02:55:11 +0000</pubDate>
		<dc:creator>bvn</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[Billy Collins]]></category>
		<category><![CDATA[Books]]></category>
		<category><![CDATA[Shashi Tharoor]]></category>
		<category><![CDATA[video]]></category>

		<guid isPermaLink="false">http://tvmtalkies.com/?p=1287</guid>
		<description><![CDATA[Smoking used to be sexy,  it used to be a sign of that creative energy symbolized by Albert Camus and Hemingway and Picasso and Guru Dutt and MT Vasudevan Nair and a thousand other literary geniuses.  Smoking isn't sexy anymore. Cigarette smokers are outcasts in almost all walks of life.]]></description>
			<content:encoded><![CDATA[<blockquote><div><span style="color: #000000;">And &#8220;Ten Days of Spring Rain Have Kept Me Indoors&#8221;</span></div>
<div><span style="color: #000000;">is a servant who shows me into the room</span></div>
<div><span style="color: #000000;">where a poet with a thin beard</span></div>
<div><span style="color: #000000;">is sitting on a mat with a jug of wine</span></div>
<div><span style="color: #000000;">whispering something about clouds and cold wind,</span></div>
<div><span style="color: #000000;">about sickness and the loss of friends.</span></div>
</blockquote>
<div>I&#8217;ve been a fan of this American poet laureate for a while now, one of my favorites was the slow death of brain cells <a href="http://tvmtalkies.com/archives/451" target="_blank"><span style="color: #0000ff;">he portrayed beautifully</span></a>. I came across this poem at a time when I realized I was forgetting names and places one by one, while the feelings those names and places created remained etched. A poem or for that matter any work of art reveals it&#8217;s true depth when the reader or the boy in the audience is prepared for it. If I&#8217;d read &#8216;One Hundred Years of Solitude&#8217; now, it would have left a better revelation in my psyche. Reading about Macondo as a teenager, while impressive, was in hindsight a not-so-optimum idea.</div>
<div><a href="http://www.youtube.com/watch?v=kbRifIzMth0"><span class="youtube">
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</span><p><a href="http://www.youtube.com/watch?v=kbRifIzMth0">www.youtube.com/watch?v=kbRifIzMth0</a></p></a></div>
<p> </p>
<p style="text-align: justify;"><span style="color: #000000;">So when Shashi Tharoor says he read <a href="http://tvmtalkies.com/video"><span style="color: #0000ff;">365 books in a year</span></a>, I am impressed. It shows his intellectual horsepower or at least his reading speed, which again is an important thing (because even at that speed, as per google, it will take one person 355,794 years to read all books ever written). But when you read a book or treat yourself to any form of art, for which you are not emotionally or intellectually prepared, through experiences in life and through learning, you would end up reading the lines without reading much between the lines.<span id="more-1287"></span><br /></span></p>
<p style="text-align: justify;"><span style="color: #000000;"> This has been my personal experience, and I acknowledge the fact that I have many friends who read through &#8216;Amsterdam&#8217; and &#8216;Love in the times of Cholera&#8217; without getting emotionally swayed. Again, at a personal level books like &#8216;Sputnik Sweetheart&#8217;, &#8216;Love in the time of Cholera&#8217;, or Kundera&#8217;s &#8216;Unbearable..&#8221; left a deep impression on me, affecting my deliberations for weeks, and I doubt if those revelations would have come to me for good or bad if I&#8217;d immersed myself in those books before I&#8217;d experience some subtle, sensitive, and at times tiring strains in relationships. I mean, my ability to appreciate tragedy was not inborn, though it gets better over the years. It&#8217;s like they say about Frank Sinatra&#8217;s voice -- he had a voice which developed over one too many heartbreaks.</span></p>
<p style="text-align: justify;"><span style="color: #000000;">Smoking used to be sexy,  it used to be a sign of that creative energy symbolized by Albert Camus and Hemingway and Picasso and Guru Dutt and MT Vasudevan Nair and a thousand other literary geniuses.  Smoking isn&#8217;t sexy anymore. Cigarette smokers are outcasts in almost all walks of life. Outcasts in office buildings which ask cigarette smokers to keep twenty five feet from the other office workers who are gonna live a thousand years, outcasts in rental applications which make you lie that you do not smoke so that you have a place to stay, outcasts in the Starbucks of the world which sell that pink colored cake with two icings of cream on it, outcasts in the trains and airplanes where people would rather sleep for fourteen hours than smoke a cigarette, stay awake and do something productive for the world -- because one cigarette shortens your life by seven hours. But the outcasts still light their cigarettes over freshly brewed cups of coffee, stare at the evening skylines, and make those final decisions which can only be made in silent rooms.</span></p>
<p style="text-align: justify;"><span style="color: #000000;">Billy Collin&#8217;s poem &#8220;The Best Cigarette&#8221; speaks only to those outcasts, listing out those moments of calm, induced by nicotine, before they make those brilliant decisions. Then he reveals his favorite moment. I could have put this in a more simple way, that&#8217;s what the second poem speaks about. As I understand more, I guess I will simplify more. For now, two poems from Billy Collins. <strong>And that ladies and gentlemen, brings up the 350th post on Talkies.</strong></span></p>
<blockquote><p style="text-align: justify;"><span style="color: #000000;"><span style="text-decoration: underline;"><em>The Best Cigarette by Billy Collins</em></span></span></p>
</blockquote>
<div id="_mcePaste"><span style="color: #000000;">There are many that I miss</span></div>
<div id="_mcePaste"><span style="color: #000000;">having sent my last one out a car window</span></div>
<div id="_mcePaste"><span style="color: #000000;">sparking along the road one night, years ago.</span></div>
<div><span style="color: #000000;"><br /></span></div>
<div id="_mcePaste"><span style="color: #000000;">The heralded one, of course:</span></div>
<div id="_mcePaste"><span style="color: #000000;">after sex, the two glowing tips</span></div>
<div id="_mcePaste"><span style="color: #000000;">now the lights of a single ship;</span></div>
<div id="_mcePaste"><span style="color: #000000;">at the end of a long dinner</span></div>
<div id="_mcePaste"><span style="color: #000000;">with more wine to come</span></div>
<div id="_mcePaste"><span style="color: #000000;">and a smoke ring coasting into the chandelier;</span></div>
<div id="_mcePaste"><span style="color: #000000;">or on a white beach,</span></div>
<div id="_mcePaste"><span style="color: #000000;">holding one with fingers still wet from a swim.</span></div>
<div><span style="color: #000000;"><br /></span></div>
<div id="_mcePaste"><span style="color: #000000;">How bittersweet these punctuations</span></div>
<div id="_mcePaste"><span style="color: #000000;">of flame and gesture;</span></div>
<div id="_mcePaste"><span style="color: #000000;">but the best were on those mornings</span></div>
<div id="_mcePaste"><span style="color: #000000;">when I would have a little something going</span></div>
<div id="_mcePaste"><span style="color: #000000;">in the typewriter,</span></div>
<div id="_mcePaste"><span style="color: #000000;">the sun bright in the windows,</span></div>
<div id="_mcePaste"><span style="color: #000000;">maybe some Berlioz on in the background.</span></div>
<div><span style="color: #000000;"><br /></span></div>
<div id="_mcePaste"><span style="color: #000000;">I would go into the kitchen for coffee</span></div>
<div id="_mcePaste"><span style="color: #000000;">and on the way back to the page,</span></div>
<div id="_mcePaste"><span style="color: #000000;">curled in its roller,</span></div>
<div id="_mcePaste"><span style="color: #000000;">I would light one up and feel</span></div>
<div id="_mcePaste"><span style="color: #000000;">its dry rush mix with the dark taste of coffee.</span></div>
<div id="_mcePaste"><span style="color: #000000;">Then I would be my own locomotive,</span></div>
<div id="_mcePaste"><span style="color: #000000;">trailing behind me as I returned to work</span></div>
<div id="_mcePaste"><span style="color: #000000;">little puffs of smoke,</span></div>
<div id="_mcePaste"><span style="color: #000000;">indicators of progress,</span></div>
<div id="_mcePaste"><span style="color: #000000;">signs of industry and thought,</span></div>
<div id="_mcePaste"><span style="color: #000000;">the signal that told the nineteenth century</span></div>
<div id="_mcePaste"><span style="color: #000000;">it was moving forward.</span></div>
<div><span style="color: #000000;"><br /></span></div>
<div id="_mcePaste"><span style="color: #000000;">That was the best cigarette,</span></div>
<div id="_mcePaste"><span style="color: #000000;">when I would steam into the study</span></div>
<div id="_mcePaste"><span style="color: #000000;">full of vaporous hope</span></div>
<div id="_mcePaste"><span style="color: #000000;">and stand there,</span></div>
<div id="_mcePaste"><span style="color: #000000;">the big headlamp of my face</span></div>
<div id="_mcePaste"><span style="color: #000000;">pointed down at all the words in parallel lines.</span></div>
<blockquote><div><span style="color: #000000;"><span style="text-decoration: underline;"><em>Reading An Anthology Of Chinese Poems Of The Sung Dynasty, I Pause To Admire The Length And Clarity Of Their Titles -- By Billy Collins</em></span></span></div>
</blockquote>
<blockquote><div><span style="text-decoration: underline;">
<p> </p>
<p> </p>
<p></span></div>
</blockquote>
<div>It seems these poets have nothing</div>
<div>up their ample sleeves</div>
<div>they turn over so many cards so early,</div>
<div>telling us before the first line</div>
<div>whether it is wet or dry,</div>
<div>night or day, the season the man is standing in,</div>
<div>even how much he has had to drink.</div>
<div>Maybe it is autumn and he is looking at a sparrow.</div>
<div>Maybe it is snowing on a town with a beautiful name.</div>
<div>&#8220;Viewing Peonies at the Temple of Good Fortune</div>
<div>on a Cloudy Afternoon&#8221; is one of Sun Tung Po&#8217;s.</div>
<div>&#8220;Dipping Water from the River and Simmering Tea&#8221;</div>
<div>is another one, or just</div>
<div>&#8220;On a Boat, Awake at Night.&#8221;</div>
<div>And Lu Yu takes the simple rice cake with</div>
<div>&#8220;In a Boat on a Summer Evening</div>
<div>I Heard the Cry of a Waterbird.</div>
<div>It Was Very Sad and Seemed To Be Saying</div>
<div>My Woman Is Cruel--Moved, I Wrote This Poem.&#8221;</div>
<div>There is no iron turnstile to push against here</div>
<div>as with headings like &#8220;Vortex on a String,&#8221;</div>
<div>&#8220;The Horn of Neurosis,&#8221; or whatever.</div>
<div>No confusingly inscribed welcome mat to puzzle over.</div>
<div>Instead, &#8220;I Walk Out on a Summer Morning</div>
<div>to the Sound of Birds and a Waterfall&#8221;</div>
<div>is a beaded curtain brushing over my shoulders.</div>
<div>And &#8220;Ten Days of Spring Rain Have Kept Me Indoors&#8221;</div>
<div>is a servant who shows me into the room</div>
<div>where a poet with a thin beard</div>
<div>is sitting on a mat with a jug of wine</div>
<div>whispering something about clouds and cold wind,</div>
<div>about sickness and the loss of friends.</div>
<div>How easy he has made it for me to enter here,</div>
<div>to sit down in a corner,</div>
<div>cross my legs like his, and listen.</div>
<div></div>
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		<title>Apni aazaadi to bhaiya</title>
		<link>http://tvmtalkies.com/archives/1255</link>
		<comments>http://tvmtalkies.com/archives/1255#comments</comments>
		<pubDate>Sun, 15 Aug 2010 22:37:52 +0000</pubDate>
		<dc:creator>bvn</dc:creator>
				<category><![CDATA[India]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Politics]]></category>
		<category><![CDATA[talkies]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[Anurag Kashyap]]></category>
		<category><![CDATA[Congress]]></category>
		<category><![CDATA[Manmohanomics]]></category>
		<category><![CDATA[security]]></category>
		<category><![CDATA[State of the Union]]></category>
		<category><![CDATA[video]]></category>

		<guid isPermaLink="false">http://tvmtalkies.com/?p=1255</guid>
		<description><![CDATA[Boring isn't just the only problem but he clearly eluded the core issues of public distribution, price rise, and made a quarter-hearted plea to the naxals - which forget the naxals, cannot even bring my angry four year old cousin to table for talks.]]></description>
			<content:encoded><![CDATA[<p><a href="http://tvmtalkies.com/blog/wp-content/uploads/2010/08/cw2.jpg"></a></p>
<blockquote><div id="_mcePaste" style="text-align: justify;"><em><span style="color: #000000;">&#8220;Aaj ka launda yeh kehta hum to bismil thak gaye</span></em></div>
<div id="_mcePaste" style="text-align: justify;"><em><span style="color: #000000;">Apni aazaadi to bhaiya laundiya ke dil mein hai&#8221;</span></em></div>
</blockquote>
<div style="text-align: justify;"><span style="color: #0000ee; -webkit-text-decorations-in-effect: underline;"><img class="aligncenter size-full wp-image-1257" style="display: block; margin-left: auto; margin-right: auto; border: 0px initial initial;" title="cw2" src="http://tvmtalkies.com/blog/wp-content/uploads/2010/08/cw2.jpg" alt="" width="540" height="405" /></span></div>
<div><span style="color: #0000ee; -webkit-text-decorations-in-effect: underline;"><br /> </span></div>
<div style="text-align: justify;">Despite the gravest agrarian crisis in recent decades, the most striking consumer price rises in the whole of developing and developed world, the most potent uprising against India till date in Kashmir, and the worst natural disaster in recent history killing thousands in our neighborhood, it may not be an August to remember. But I hope we remember that <a href="http://tvmtalkies.com/archives/252" target="_blank"><span style="color: #0000ff;">there are things still worth celebrating</span></a>.</div>
<div style="text-align: justify;">Yet the biggest let down of the day was the Prime Minister&#8217;s speech. Every time I hear Manmohan speak, I lose faith in democracy. He speaks like a person who has no stake in what happens in India, forget the fact that his speeches are as some one called &#8220;Butt-numbingly&#8221; boring. Boring isn&#8217;t just the only problem but he clearly eluded the core issues of public distribution, price rise, and made a quarter-hearted plea to the naxals -- which forget the naxals, cannot even bring my angry four year old cousin to table for talks.</div>
<blockquote><div style="text-align: justify;"><span style="color: #000000;">The most glaring disconnect in Manmohan&#8217;s speech was the plan to create jobs for Kashmiris. Atal Bihari Vajpayee would have never said that. Even after the 7 continuous speeches from Red Fort, does Manmohan and his chelas still believe that Kashmiris are giving up there lives every single day facing Indian Army bullets for jobs? My Prime Minister would have apologized to the people of Kashmir. Even Vajpayee probably would have. Independence day would have been much better without Manmohan&#8217;s miserable speech.</span></div>
<div style="text-align: justify;"><span style="color: #000000;"><br /> </span></div>
</blockquote>
<div style="text-align: justify;">In other news, one of the largest natural disasters in recent years is unfolding in Pakistan, with one fifth of the country under water. As UN calls it “fortnight-long flooding of the country as a calamity graver than the three biggest natural disasters of this century put together — the tsunami of 2004, the earthquake in Pakistan of 2005 and the Haiti quake this year.&#8221; The disaster has been completely shelved by the Indian media, but what surprised anybody following the issue was Krishna&#8217;s phone call to Qureshi offering &#8220;5 million dollars&#8221; in aid. Unconfirmed reports say, he also offered three kg basmati rise and two goats to the flood victims to make biriyani during Ramzan. Qureshi must have been taken aback, that he didn&#8217;t respond to the offer. But unconfirmed reports say the Govt. of Pakistan send an official sms to Govt. of India. The sms read &#8220;Fuck Off!&#8221;.</div>
<div style="text-align: justify;">There will be a large majority of people who still don&#8217;t understand why we should be helping Pakistan. There isn&#8217;t a better way to summarize the country&#8217;s malaise under &#8220;Manmohanomics&#8221; than by these lines from Piyush Mishra in Gulal.</div>
<div style="text-align: justify;"><span class="youtube">
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</span><p><a href="http://www.youtube.com/watch?v=RJpAoUMEbWA">www.youtube.com/watch?v=RJpAoUMEbWA</a></p></div>
<div style="text-align: justify;">
<blockquote>
<div style="text-align: justify;"><em>sarfaroshi ki tamannaa ab hamaare dil mein hai.</em></div>
<div style="text-align: justify;"><em>dekhnaa hai zor kitnaa baazuve kaatil mein hai</em></div>
<div style="text-align: justify;"><em>waqt aane pe bataadenge tujhe ae aasmaan</em></div>
<div style="text-align: justify;"><em>hum abhi se kyaa bataaye kyaa hamaare dil mein hai</em></div>
<div style="text-align: justify;"><em>o re bismil kaash aate aaj tum hindustaan</em></div>
<div style="text-align: justify;"><em>dekhte ki mulk saara kyaa tashan kyaa chill mein hai</em></div>
<div style="text-align: justify;"><em>aaj kaa laundaa yeh kehtaa hum to bismil thak gaye</em></div>
<div style="text-align: justify;"><em>apni aazaadi to bhaiyaa laundiyaa ke til mein hai.</em></div>
<div style="text-align: justify;"><em>aaj ke jalson mein bismil ek gungaa gaa raha.</em></div>
<div style="text-align: justify;"><em>aur behron kaa wo relaa naachtaa mehfil mein hai</em></div>
<div style="text-align: justify;"><em>haath ki khaadi banaane kaa zamaana lag gayaa</em></div>
<div style="text-align: justify;"><em>aaj to chaddi bhi silti englison ki mill mein hai</em></div>
<div style="text-align: justify;"><em>dekhna hai zor kitnaa baazuve kaatil mein hai</em></div>
<div style="text-align: justify;"><em>waqt aane pe bataadenge tujhe ae aasmaan</em></div>
<div style="text-align: justify;"><em>hum abhi se kyaa bataaye kyaa hamaare dil mein hai</em></div>
<div style="text-align: justify;"><em>sarfaroshi ki tamannaa ab hamaare dil mein hai.</em></div>
</blockquote>
</div>
<p>P.S: Peepli Live is one of the best movies in recent years. Go watch it! Happy 63rd</p>
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		<title>Prithviraj :)</title>
		<link>http://tvmtalkies.com/archives/1186</link>
		<comments>http://tvmtalkies.com/archives/1186#comments</comments>
		<pubDate>Thu, 12 Aug 2010 20:11:13 +0000</pubDate>
		<dc:creator>bvn</dc:creator>
				<category><![CDATA[talkies]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[Books]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[Prithviraj]]></category>
		<category><![CDATA[video]]></category>

		<guid isPermaLink="false">http://tvmtalkies.com/?p=1186</guid>
		<description><![CDATA[Another one   Guess Prithvi speaks a little more than needed.







www.youtube.com/watch?v=DQ5oQvR2_pA
&#160;
This is too funny not to post.







www.youtube.com/watch?v=DspTjoGLUWg
More Videos.
Sharing is Good!   

    

		

			

							

			        

		  
		  

		  

		

	 

  Tweet]]></description>
			<content:encoded><![CDATA[<p>Another one <img src='http://tvmtalkies.com/blog/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' />  Guess Prithvi speaks a little more than needed.</p>
<p><a href="http://www.youtube.com/watch?v=DQ5oQvR2_pA"><span class="youtube">
<object width="480" height="403">
<param name="movie" value="http://www.youtube.com/v/DQ5oQvR2_pA?color1=5d1719&amp;color2=cd311b&amp;border=1&amp;fs=1&amp;hl=en&amp;modestbranding=1&amp;loop=&amp;showinfo=0&amp;iv_load_policy=3&amp;showsearch=0&amp;rel=0" />
<param name="allowFullScreen" value="true" />
<embed wmode="opaque" src="http://www.youtube.com/v/DQ5oQvR2_pA?color1=5d1719&amp;color2=cd311b&amp;border=1&amp;fs=1&amp;hl=en&amp;modestbranding=1&amp;loop=&amp;showinfo=0&amp;iv_load_policy=3&amp;showsearch=0&amp;rel=0" type="application/x-shockwave-flash" allowfullscreen="true" width="480" height="403"></embed>
<param name="wmode" value="opaque" />
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</span><p><a href="http://www.youtube.com/watch?v=DQ5oQvR2_pA">www.youtube.com/watch?v=DQ5oQvR2_pA</a></p></a></p>
<p>&nbsp;</p>
<p>This is too funny not to post.</p>
<p><span class="youtube">
<object width="480" height="403">
<param name="movie" value="http://www.youtube.com/v/DspTjoGLUWg?color1=5d1719&amp;color2=cd311b&amp;border=1&amp;fs=1&amp;hl=en&amp;modestbranding=1&amp;loop=&amp;showinfo=0&amp;iv_load_policy=3&amp;showsearch=0&amp;rel=0" />
<param name="allowFullScreen" value="true" />
<embed wmode="opaque" src="http://www.youtube.com/v/DspTjoGLUWg?color1=5d1719&amp;color2=cd311b&amp;border=1&amp;fs=1&amp;hl=en&amp;modestbranding=1&amp;loop=&amp;showinfo=0&amp;iv_load_policy=3&amp;showsearch=0&amp;rel=0" type="application/x-shockwave-flash" allowfullscreen="true" width="480" height="403"></embed>
<param name="wmode" value="opaque" />
</object>
</span><p><a href="http://www.youtube.com/watch?v=DspTjoGLUWg">www.youtube.com/watch?v=DspTjoGLUWg</a></p></p>
<p>More <a href="http://tvmtalkies.com/video/malayalam">Videos</a>.</p>
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		<title>Mamta Mohandas&#8217;s Kadha Thudarunnu</title>
		<link>http://tvmtalkies.com/archives/1092</link>
		<comments>http://tvmtalkies.com/archives/1092#comments</comments>
		<pubDate>Sun, 27 Jun 2010 09:51:33 +0000</pubDate>
		<dc:creator>bvn</dc:creator>
				<category><![CDATA[talkies]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[malayalam]]></category>
		<category><![CDATA[movies]]></category>

		<guid isPermaLink="false">http://tvmtalkies.com/?p=1092</guid>
		<description><![CDATA["Kadha thudarunnu.." may not have the extreme intensity of Thalappavu, or the cunning intelligence and social commentary embedded in Paleri Manickam, or may be the breadth of emotions of a Kerala Cafe, but Kadha thudarunnu in the inimitable Sathyan style portrays the best within us and underlines the timeless creed that we, human beings, are essentially good.]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;"><img class="aligncenter size-full wp-image-1095" title="kt2" src="http://tvmtalkies.com/blog/wp-content/uploads/2010/06/kt2.JPG" alt="kt2" width="420" height="280" /></p>
<p style="text-align: justify;">It is almost two months since Sathyan Anthikad&#8217;s 50th movie released back home, so a review may not be timely, but this is one movie you shouldn&#8217;t miss. While Sathyan moves out of his <a href="http://tvmtalkies.com/archives/446" target="_blank">comfort zone and regurgitation</a> to try something new with an intelligent and subtle screenplay, it is Mamta Mohandas who carries the movie through the slog overs with commendable panache making &#8220;Kadha thudarunnu..&#8221; one of the best malayalam movies I&#8217;ve seen in the last five years. And trust me I&#8217;ve seen them all.</p>
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<p style="text-align: justify;">&#8220;Kadha thudarunnu..&#8221; may not have the extreme intensity of Thalappavu, or the cunning intelligence and social commentary embedded in Paleri Manickam, or may be the breadth of emotions of a Kerala Cafe, but Kadha thudarunnu in the inimitable Sathyan style portrays the best within us and underlines the timeless creed that we, human beings, are essentially good. It appeals to the same heart&#8217;s side of the brain which classics like &#8216;list&#8217;, &#8216;life is beautiful&#8217;, and &#8216;redemption&#8217; appeal to. The movie is a first from the Sathyan stable, inspite of &#8216;Achuvinte Amma&#8217;, which accepts &#8216;single mother&#8217; as a respectable and inevitable social reality than as a sad transitional phase. Kadha Thudarunnu has around ten characters we will remember (not many movies can claim that), a clear strength of the Sathyan Anthikad style, while it stays clear of exaggerations seen in his movies like Sandesham, Achuvinte Amma, and Innathe Chinthavishayam. As my friend VN mentions in his <a href="http://www.nowrunning.com/movie/7410/malayalam/katha-thudarunnu/review.htm">NowRunning review</a> &#8220;the film follows life rather than love&#8221;. It is a beautiful movie and every bit a must watch.</p>
<p style="text-align: justify;">Story: The movie begins with a sneak peek into the happy life of Vidya, Shanavas, and their bubbly kid Laya. The couple antagonized their parents when they decided to live together, and are pretty much on their own, living on Shanavas&#8217;s meager income. Shanavas gets killed in a freak murder, a case of mistaken identity, which thrusts Vidya and her daughter into a harsh new world without a home, with no money left, and with no one to to turn to. Their world regains some balance when Vidya meets Preman (played by Jayaram), a superstitious auto-driver who once aspired to be a pilot. The movie follows Vidya and her daughter as they journey through one obstacle to another, and their endearing journey, and the story, continues in our minds(as the name puts it) even after the titles roll.<span id="more-1092"></span></p>
<p style="text-align: center;"><img class="aligncenter size-full wp-image-1097" title="kt1" src="http://tvmtalkies.com/blog/wp-content/uploads/2010/06/kt1.JPG" alt="kt1" width="280" height="420" /></p>
<p style="text-align: justify;">Good:</p>
<p style="text-align: justify;">1. Screenplay: The suggestion has been made more than once, that Sathyan Anthikad and Blessy should rely on external screenplays rather than craft it themselves. Sathyan gives a fitting reply in his 50th movie. The screenplay including the song sequences are crafted with a lot of thought, weaving a woman&#8217;s anxiety and a mother&#8217;s helplessness into relevant social commentary and a thread of happy possibilities. It all fits in very well making the movie a repeat watch. It does not fall off the box-office cliff of tear-jerker into the the abyss of over-emoting. Sathyan says the story of good people, and as the saying goes, good people do not need many words between them. The screenplay does just that by answering &#8216;where does the money come from&#8217; question in two frames in a song sequence, and even treating an amateur womanizer employer with a little difference.</p>
<p style="text-align: center;"><img class="aligncenter size-full wp-image-1096" title="IMG_1157" src="http://tvmtalkies.com/blog/wp-content/uploads/2010/06/IMG_1157.JPG" alt="IMG_1157" width="420" height="280" /></p>
<p style="text-align: justify;">2. Mamta Mohandas: and Baby Anikha lighten up the screen without the hyperbole one saw in Achuvinte Amma. Mamta refuses to cry, but still conveys deep angst, without the usual &#8216;podippum thongalum&#8217; of our &#8216;kalathilakam&#8217; heroines trained in &#8216;Kathakali&#8217;. Mamta once again proves her mettle with a strong performance without exaggerations and verbosity, and Anthikad makes a good call casting Baby Anikha who brings in a endearing freshness to several situations in the storyline which otherwise would have made the movie tad heavy. Jayaram understands where he fits in and plays his card with control and elan. KPAC Lalitha should be given JC Daniel award next year, it is already too late.</p>
<p style="text-align: justify;">Bad:</p>
<p style="text-align: justify;">Not bad, but the supporting cast except a few can be placed in many a Sathyan movie from over the years. But Sathyan has been creating our own malgudis in his past 50 films, so I wouldn&#8217;t complain.</p>
<p style="text-align: justify;">മമത മോഹന്‍ദാസിനെ നോക്കി ഇരുന്നു ഞങ്ങള്‍ ഇത് കണ്ടില്ല , സത്യന്‍ കൊച്ചു കള്ളന്‍ (via <a href="http://www.jocalling.com/2010/06/the-story-never-ends/">Jocalling</a>)</p>
<p style="text-align: justify;">Verdict: If I am not the last person to watch this movie, you shouldn&#8217;t be too.</p>
<div><span style="font-family: Arial, Helvetica, sans-serif; line-height: 28px; font-size: small;"><br /> </span></div>
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