In a recent interview with Madhyamam newspaper, the author talks about the 'hunter's viewpoint' when it comes to sexual assaults. Vishnu Prasad feels better understanding the hunter's social conditions is important enough and is seldom thought of. He feels male sexuality is suppressed in Kerala's social conditioning. He goes to the extent of claiming men are more sexually frustrated than women. He details the 'hunter's viewpoint' in detail in some of his poems, like the recently controversial "Linga vishappu" in which he says, the man's under wear that gets torn from excessive masturbation does not lie about his social condition, about the suppressed hunger of the penis.
Mohanlal plays Chandrashekhar,a defeated IPS officer, who takes his personal briefcase of losses to work. He unlike Sherlock Holmes who uses cocaine, plays chess in office to keep his mind alert. Chess references abound in the movie, as a serial killer challenges Chandra to a game which combines crime and personal life. There is a trail of murdered women. Nothing is out of bounds, as Chandra accepts the challenge. Lalu Alex is the killer. (I'm kidding! he is not there in the film)
Because rather than big events, we have focused on big patterns. And while we disagree on a lot many things here - political, cultural, developmental, social, and personal, I hope we all agree that Kerala got it mostly right in the past 55 years. Because Kerala is the No.1 state in India, here we go, and as always we would like to hear your thoughts.
The shirt was white. like snow. elegant like a city dweller. though - as I spread it over my hands, I noticed the wear and tear of intense torture
Prithviraj disappoints. Then again I am back from watching Mohanlal's Chinatown, so disappointment needs to be understood as occurring when there is hope left. Mohanlal cannot disappoint me anymore. Prithvi loses control at critical junctures in the movie. This is the same actor who gave extrememly controlled performances in Vasthavam and Thalappavu, but he loses it occasionally in "Urumi".
Now for the blockbusters from the past 22 years - 1988 - Chitram , 1989 - Ramjirao Speaking , 1990 - His Highness Abdulla , 1991 - Godfather , 1992 - Pappayude Swantham Appose , 1993 - Manichitrathazhu , 1994 - Commisioner , 1995 - Spadikam , 1996 - Hitler , 1997 - Aaram Thampuran , 1998 - HariKrishnans , 1999 - Friends , 2000 - Narasimham , 2001 - Raavnaprabhu , 2002 - Meesamadhavan , 2003 - Chronic Bachelor , 2004 - Sethuramaiyer CBI , 2005 - Rajamanikyam , 2006 - Classmates , 2007 - Kadha Parayumbol , 2008 - Twenty:20 , 2009 - Pazhassi Raja.
"Kadha thudarunnu.." may not have the extreme intensity of Thalappavu, or the cunning intelligence and social commentary embedded in Paleri Manickam, or may be the breadth of emotions of a Kerala Cafe, but Kadha thudarunnu in the inimitable Sathyan style portrays the best within us and underlines the timeless creed that we, human beings, are essentially good.
This is a question thats been nagging the boys and yours truly for years. In a recent meetup in San Francisco, the standing (also sitting and sometimes lying down) committee on "Figuring out what the hell Mohanlal talks about in his movies" watched Mohanlal's Raavanaprabhu.
My top picks from the last 233 searches that landed in Talkies. My favorite of course is "PRITHVIRAJ DESTROYED MOHANLAL". Seriously? with Antony Perumbavoor around? what was the reason for [...]
I found this poem today(via Deepak's blog), and once again the urge to learn the malayalam keyboard and post in malayalam grows overwhelming. Like there are a few things which [...]
TV Chandran’s latest, “Bhoomi Malayalam”Â [now in theatres] is a relishing movie, which as per the director, tries to take Malayalam cinema and its audience at least an inch forward [...]